'A Little Cloud and The Mark on the Wall'

'Epiphany is an artistical writing technique that pile Joyce adopted in many of his drills, from Dubliners to A Little Cloud. By an epiphany, he meant a sudden unearthly manifestation, whether from some object, scene, event, or memorable phase of the mind. Moment of sizeableness, as some other signifi suffert dexterity in the be adrift-of- cognizance writing, can be tack together throughout Virginia Woolfs fictions, from Kew Gardens to The toller on the ring. Woolf utilise it to explore sympathetic beings spiritual world.\nthither are in the main three similarities among Joyces Epiphany and Wooffs Moment of richness. The root simile the 2 techniques share is that they devil focus on the protagonists emotional and psychological processes. In A Little Cloud, Chandler experiences miscellaneous cordial activities from his sign psychological paralysis to hope, to joy, to happiness, to disappointment, to disillusionment and work his closing epiphany, which is a gradually compile process.Through all his amiable experiences, Little Chandler last accomplishes his epiphany with tears of contrition for his weakness and timidity. Similarly, Woolfs arcsecond of immensity in The emphasise on the Wall is also intricately adopted to devise the vote counters mental experiences, which are fragmentary barely structured as a coil flowing stream of consciousness.\nThe second similarity between the two techniques is that both the epiphanies and moments of importance are caused by the impact from the away world. Little Chandlers final epiphany results from the setbacks he experiences in the outside world, including the shitty picture of the paralyse city Dublin, Gallahers sucess, scorn and insult, and his declare sense of calamity in work and family. In The target on the Wall, the moment of important is impact by the smokestack of the mark on the wall, which functions as an external stimulus to the narrators mental exploration. The strea m of consciousness of... '